Now with four primary companies under the Southern Exposure banner, Florida Film & Tape, Mike Fuller Group, Cine Air Services and Blue Island Digital.
Motion Picture and Video Production work is generally handled by FF&T. Still Production running through the Mike Fuller Group. A subsidiary is Cine Air Services, providing aerial photography and aerial production services, including drones, around the world. And finally Blue Island Digital, a full service digital marketing agency, with offices in Orlando.
We are expert videographers dedicated to creating professional visuals. With unmatched creativity, we capture stories, emotions, and moments beautifully.
Our extensive experience ensures cinematic quality and unique storytelling. We transform visions into timeless, unforgettable results that truly inspire audiences.
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Risus ut curae gravida auctor sagittis potenti ad pede aenean facilisis sociosqu
Risus ut curae gravida auctor sagittis potenti ad pede aenean facilisis sociosqu





Producer/Director
President/Creative Director/Executive Producer
Brad’s background in the motion picture business spans forty-plus years in advertising, corporate, and entertainment production. In 1980, brothers Brad and Mike combined forces to bring new directions to Florida’s commercial production scene. The result was Florida Film & Tape, Orlando’s first serious commercial / production / postproduction / photography studio, and well over one hundred local, regional and national awards. That partnership continues to strive today, and the majority of the work is in the marine and aviation industries, as well as entertainment content creation. Expertise’ in the action cinematography arena has landed multiple projects for Ford, NASCAR, Sea Doo, Kawasaki, Yamaha, Arctic Cat, Suzuki, Honda and dozens of boating and aviation clients. Network credits include The Disney Channel, NBC Sports, PBS, National Geographic, TLC, CNN, CMT, BBC, Showtime, Bravo, Discovery, History and HBO.
A pilot since 1969, Brad holds a commercial license, with instrument, multi-engine, single-engine sea and glider ratings. As an aerial cinematographer, he’s additionally logged hundreds of hours shooting from various aerial platforms, from helicopters to B-25s, and often flies his camera plane for both stills and motion pictures. And, these days, drones, of course.
Florida is home base, but his shoots have ranged from the Caribbean to Alaska to Maine and all points in between. His LA production base is Venice.
Lifetime member and “Legends of Florida Filmmaking” award recipient of Film Florida.
Co-Founder Photography
Director/DP/Photographer
Mike’s first job in the business in 1966 was swinging a hammer building sets, but it didn’t take him long to find his way into the camera department at Patterson Studios in Central Florida. Mike has always divided his time and talent between stills and motion pictures, and continues that philosophy today. In fact, he is one of the most prolific and recognized marine photographers in the world today. His work as Director/DP/Photographer has taken him all around the world working for a wide-based clientele, particularly of marine and aviation interests, as well as resort and magazine editorial work.
A pilot since 1966, Mike holds a commercial license, with instrument, multi-engine, single and multi-engine sea, and glider ratings, and regularly works his Cessna 310, Piper Lance, and Piper Super Cub into his specialty productions, and wears a helicopter like a broke-in pair of boat shoes.
Lifetime member and “Legends of Florida Filmmaking” award recipient of Film Florida.
Cinematographer
Director of Photography/Camera Operator
George showed up on the doorstep of FF&T in 1986 and never left! A graduate of the film/television program at Oklahoma University, George has grown with the company and now finds himself shooting, as operator or DP, on major television and corporate shoots anywhere in the country.
In those days the company was still shooting the majority of it’s high-end work on film, and that became George’s specialty. China, Japan, Malaysia, the Caribbean, or right back in Florida, George has transitioned his film POV nicely into the digital world, and though he has maintained and polished the Arri SRHS 16mm camera to shoot-ready condition, he’s more likely to pick up a Canon 5d or a Panasonic HPX 170 or an Arri Alexi these days.
Editing/Post Production
Videographer/Director/Editor
Another film student looking for a home, Cleve came to us from his beloved FSU in 1990, and the first job we put him on was as boom man with his hero Bobby Bowden. We haven’t been able to get rid of him since!
By the time Cleve arrived we were in full-swing video mode and though about 40 of our work was still acquired in film, that left 60 for video, which Cleve embraced (thankfully). Cleve quickly became the go-to guy for video productions and solutions, and it didn’t take him long to start down the Editor path. Cleve and a few favorite free-lancers handle the editing these days on Final Cut Pro, and he has additionally honed his skills as our first-guy-in Underwater Videographer. He’s also been our lead videographer on many of the television shows we’ve produced and shot, yielding many long days in exotic island locations under uncomfortable conditions. And he loves it.
Cleve was instrumental in the daunting task of transitioning three of our major clients, MasterCraft Boats, Suzuki Outboards and Yamaha Boats and WaveRunners from film to digital and nobody’s looking back.